
On February 21, 2024, Patrick Bruel read the last letter from Missak Manouchian to his wife Mélinée, during the entry into the Pantheon of the resistance fighter and his brothers in arms from the “Red Poster” group. A highlight for a unifying artist who seemed to embody the values of the Republic, smiling kindness and tolerance. However, since 2000, testimonies have questioned him, reports have been made to the courts, and the voices of women denouncing sexual violence against them have remained inaudible.
This article is reserved for subscribers
Would you like to read more? Subscribe without obligation to our digital offer
I subscribe





