La Croix: What is the particularity of the emotions felt in front of an outdoor work?
What is specific is the way in which the experience of the work is then linked to the broader experience of what surrounds me. Other devices, on the contrary, seek to disconnect the aesthetic experience from all other feelings, in a purist, even sacralizing, vision of art. The white cube of the museum like the black cube of the performance hall thus sometimes claims a break from the outside world, the work of art being sufficient in itself.
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