Two quarantine institutions celebrated their anniversary on the evening of Tuesday, June 2. In the large nave of the Musée d’Orsay, inaugurated forty years ago, the Auvers-sur-Oise festival celebrated its forty-fifth spring. As it should be, the ceremony could not be without a gift, in the form of a musical creation signed by composer Thierry Escaich. As a double homage to the collections of Orsay and the city of Auvers where Van Gogh spent the last months of his life, the composer allowed himself to be inspired by painting. That of Vincent the tormented but also that, full of joy and vitality, of Auguste Renoir.
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