There is a community of impressions in traveling the mountain pastures with the painter Giovanni Segantini (1858-1899), currently exhibited at the Marmottan museum in Paris, and in following the pianist Andras Schiff on a rustic, poetic, magnetic hike through pieces by Franz Schubert. Between assumed greenness and delicacy of sounds – what extraordinary bass caressed or hammered by the superlative left hand of the artist – emanating from his powerful but subtle Bösendorfer instrument with its “dress” of tawny marbling.
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