The pension reform scenario is now part of the multiverse, the latest martingale from the brilliant minds of Hollywood: a film in which the actors evolve within parallel and disconnected realities. In the world of unions, the executive can still bend, it is enough to remain mobilized, to take to the streets in numbers to the tune of “We don’t let go of anything”, as on Tuesday, June 6. In the universe of opposition deputies, it is possible to travel to the past and, thanks to a parliamentary niche, to repeal a text that has barely been adopted – an unlikely twist that some are considering for this Thursday, June 8 .
In the world of government, everything happens as if nothing had happened, the page is turned, the first decrees are published, the reform will apply at the latest this autumn. Everyone remains convinced that they are right. All of them have a share of legitimacy. This is the problem of this endless soap opera: these three legitimacies – that of the street, that of Parliament and that of the government – have never really met. The various actors never pushed the discussion to the end, they never considered the slightest concession. The wrongs, of course, are shared.
But the result is there: an endless story and a show – it must be said – quite boring, where everyone locks himself into a role, which he plays in his corner, on his little stage, for his audience. . Bad theatre. And poor politics. Which, when it is better carried out, consists precisely in making coincide visions and divergent interests, by the division of the diagnoses, the mediation of the vote and the negotiation. This requires height of vision and imagination, qualities which all the protagonists lacked in this affair.